In early May, University of Alaska Theater Professor Tom Skore accepted my offer to write incidental music to the department's upcoming autumn production of Shakespeare's As You Like It. I've been reading the script on this trip, concentrating on understanding the play's songs, and on getting to know two central characters, Rosiland and the evil Duke Frederick.
The play has less songs than some of Shakespeare's comedies, but the lyrics are among the master's finest. Here they are:
Under the Greenwood Tree
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
Who Doth Ambition Shun
Who doth ambition shun
All together here
And loves to live i' the sun,
Seeking the food he eats
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
If It Do Come to Pass
If it do come to pass
That any man turn ass,
Leaving his wealth and ease,
A stubborn will to please,
Ducdame, ducdame, ducdame:
Here shall he see
Gross fools as he,
An if he will come to me.
Blow, Blow, Thou Winter Wind
Blow, blow, thou winter wind.
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heigh-ho! sing, & c.
What Shall He Have That Killed the Deer
What shall he have that kill'd the deer?
His leather skin and horns to wear.
Then sing him home;
The rest shall bear this burden
Take thou no scorn to wear the horn;
It was a crest ere thou wast born:
Thy father's father wore it,
And thy father bore it:
The horn, the horn, the lusty horn
Is not a thing to laugh to scorn.
It Was A Lover and His Lass
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding:
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino
These pretty country folks would lie,
In spring time, & c.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In spring time, & c.
And therefore take the present time,
With a hey, and a ho, and a hey nonino;
For love is crowned with the prime
In spring time, & c.
1 comment:
Your post made me wonder what might have been going on in Alaska when 'As You Like It' was written, in about 1600?
Well, Thule culture, the whaling culture of northern Alaska, had moved eastward across Canada by 1600, and may have been the source of Katajjait, or Inuit throat singing.
I was looking at 'Under the Greenwood Tree', could hear the songbirds and feel the writer's light spirit. So here is a Katajjait performance of geese cries, which easily could have been performed in 1600. You can hear the performers' laughing and their pleasure at the sound of geese, and all that means to them on the tundra.
http://www.ubu.com/ethno/soundings/inuit.html (performance 4)
How lucky we are in these times, for you to put music to Shakespeare, and also to sample a little of what the ancestors of our neighbors to the north were hearing and feeling.
Thank you for your post, and best wishes for your project.
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